casuals - 1996 - The Football Factory

The Football Factories
John King
1996
Vintage
262 pgs

I've watched a number of documentaries about English football casuals where a talking head representing the subculture expresses his resentment about punk getting all the attention back in the 70s and 80s when the casuals were just so much more interesting. Its such a dumb and funny thing to express since the punk subculture gave rise to new fashions, music, attitudes, literatures, ethos, semiotics, philosophies, dance. The Casuals pretty much bashed eachother at and around football matches. When punks were exploring the limits of every cultural form within the framework of their DIY ethos and post-situationist anti-establishment attitudes, the Casuals were becoming even more conformist by dressing in designer sportswear. Sociologically the Casuals are interesting, but they're interesting for the absence of creativity in their culture.

The Football Factories is a dramatic film about casual firms, starring Danny Dyer who went on to host a documentary TV series about the subject, The Real Football Factories. It was first a 1996 novel by John King that's written in the first person consciousness stream from the perspective of a Casual Chelsea supporter named Tommy. The novel reminds me of two other works of transgressive fiction, Anthony Burgess' A Clockwork Orange, and Brett Easton Ellis' American Psycho. A Clockwork Orange because King writes in the heavy cockney slang of Tommy - not the lyrical rhyming slang we sometimes hear about in Canada either - reminiscent of the slang Burgess invented for his novel. I'm well aware that there really are people out there calling the police 'old bill' and whatever, but its foreign enough to me to make me think of the nadsat language.  American Psycho because the sex, intoxication, and violence of Tommy's life becomes a dull pattern that moves around Chelsea's home/away schedule, otherwise the narrator expresses his views about life and such and every single idea he has is a cliche trapped in a painfully constricted worldview.

punk 1996 Touching From a Distance

Touching From a Distance

Deborah Curtis
Faber & Faber
1996
224 pages

Among the most heavily scorned categories of the world's people are the wives and girlfriends of rock music heroes. Photos of the gun Kurt Cobain used to kill himself were released and released along with that was a general geekazoid hate for Courtney Love for allegedly killing an idol. Yoko Ono obviously. I've heard rock-geeks of all ages say horrible things about Nancy Spungen, a teenage girl, for apparently destroying the career and life of the precious and innocent Sid Viscious, probably worst musician to ever have lucked into a major recording contract.

I remember picking up a copy of Substance by New Order from a pawn shop back when I was probably 15 or 16. I was attracted to the names of everything: the band, the album, the songs, and I was attracted to the simple black and white cover. I loved Substance and through learning about the band that made that music, I learned about Joy Division and their own Substance compilation. Aside from their music there's only really two things to know about them: their singer Ian Curtis had epilepsy and his seizures became spectacles, and he died tragically by his own hand.

Ian Curtis died when he was 23. He was a husband and father, his daughter was one year old when he passed. Fifteen years later his widow published Touching From a Distance to speak about her experiences of living with a young and emotionally intense lead singer. Her portrayal of her husband is largely negative and, unfortunately, completely believable. I've read some commentary on her book, mostly written by typical rock dorks who can't stand that a woman, who was once a 22 year old widow with an infant daughter, might be justifiably angry about her husband quitting on her. She portrayed Curtis as controlling, jealous, prone to rages, and egotistical. She mentioned anecdotes I'd rather not have known - Curtis could be racist and he was right-wing in some of his views - which I don't really want to hear in regards to a band I like that associated Nazi imagery with their music. One reviewer of this book stated that Deborah Curtis is just wrong about her portrayal of her husband. I can't imagine knowing someone longer and more intimately than anyone else and then be told that my perceptions of that person are incorrect simply because they conflict with that individual's public image and the fantasy that geeks want to preserve.

Curtis included all of the lyrics for released Joy Division songs as well as many words for incomplete songs.

punk - 2013 - I Dreamed I Was a Very Clean Tramp

I Dreamed I was a Very Clean Tramp
Richard Hell
Ecco
2013
304 pages


Another punk memoir from a member of the NYC punk scene - the scene that the term punk emerged from, and the scene that gave punk its style, but also the scene that had the least lasting influence and had very little to do with punk in 1980.

I love Patti Smith and Tom Verlaine and Alan Vega. I like Talking Heads and Richard Hell - and the Dead Boys were okay. Who else was there? I'm not really a Ramones fan although its not surprising that they had the most immediate influence out of all the early NYC bands since their template was the easiest to work from. NYC punk was where the Beats were rediscovered, and that discovery meant more than fast aggression. It was also where bands started one way and got big another way, Blondie, Talking Heads. The Beastie Boys were the overall most successful of all NYC punk bands.

I'm probably not the best reader of Richard Hell's autobiography. I know he was in Television before Marquee Moon but after reading Hell's book I still don't know if he had much to do with the songs on that album. He wrote parts of I Don't Care. I love the songs Blank Generation and Walking on the Water, and writing two great songs is certainly a significant contribution, but I overall prefer Television and I pretty much love every song on their first album. I pretty much read Hell's book to gain insight into Television and what I mostly learned was that Tom Verlaine was a control freak with regards to writing songs and that their friendship, which began in high school, has been dead since Hell left their band. Hell's sense of style inspired the Sex Pistols look which pretty much launched the style associated with punk, and Hell never really got a lot of credit for that. That's a major contribution though. Hell's career dissolved into heroin addiction. After reading this one I have a feeling I would appreciate Hell more as a writer than as a songwriter.