Malcolm L. Klein
Oxford University Press
1995
270 pages
Malcolm Klein is probably one of the leading experts on twentieth century street gangs, their activities and social formations. His first books on the subject were published in the early 1970s, when modern street gangs were in their nascent stages (The Crips, for example, now the largest of the Los Angeles street gangs, and prone to internal fracture and conflict, was only a few years old at that time, and still operating with the Black Panthers as their model). Klein currently holds emeritus status at the University of Southern California with their department of sociology, and he is also a popular media expert on gangs.
Klein analyzes the gangs as social units and largely discerns them from other units which may look similar (like motorcycle clubs, for example) according to a number of different social factors. Many of which are personal factors wherein the gang is an appropriate social forum in which to express them, such as the need for respect, recognition, and achievement, while other factors are more broadly social, such as poverty. Klein is, however, sure to note that no single factor, including poverty, is sufficient in describing what directs young people to a gang life.
Klein also discusses the criminal activities of gangs, noting that while police exaggerate the crimes of gangs and reduce them to purely fighting units, often the gang members exaggerate their own criminal antics as well. Furthermore, according to Klein, while gang members gain respect for their demonstrated willingness to do violence or transgress against norms, gang leaders are not necessarily the most violent members, according to Klein, and may not be violent at all.
Much of Klein's analysis comes from speaking through his experiences in conducting past research and in working directly with law enforcement and with gang members in affected areas.The determination of a city as a 'gang city' circa 1995 had a politics surrounding it with both benefits and detriments to the urban centre that gained such a distinction so he acknowledges that some of his data might be questionable. This book was published during a peak period of gang popularity and hysteria, when music by Death Row Records hip-hop artists, and films like Menace II Society and Boyz In Da Hood were pushing very specific symbols and images of LA gang culture into the mainstream and it serves as a strong academic voice to counter the effects of such cultural forms.
